NERO is an international publishing house devoted to art, criticism and contemporary culture. Founded in Rome in 2004, it publishes artists’ books, catalogs, editions and essays.

NERO explores present and future imaginaries beyond any field of specialization, format or code – as visual arts, music, philosophy, politics, aesthetics or fictional narrations – extensively investigating unconventional perspectives and provocative outlooks to decipher the essence of this ever changing reality.

NERO
Lungotevere degli Artigiani 8/b
00153 Rome
Italy
+390697271252
[email protected]

Distribution
ITALY – A.L.I. Agenzia Libraria International 
BELGIUM, FRANCE, LUXEMBOURG, SWITZERLAND, CANADA – Les presses du réel
UNITED KINGDOM – Art Data
USA – Idea Books and Printed Matter
NETHERLANDS, GERMANY, AUSTRIA AND ALL OTHER COUNTRIES – Idea Books

For other distribution inquiries, please contact [email protected]

Media Inquiries
To request review copies, press images, or for other media inquiries, please contact [email protected]

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Heads of Content:
Valerio Mannucci, Lorenzo Micheli Gigotti

Creative Director:
Francesco de Figueiredo

Editor at large:
Luca Lo Pinto

Editors:
Michele Angiletta, Alessandra Castellazzi, Carlotta Colarieti, Clara Ciccioni, Carolina Feliziani, Tijana Mamula, Valerio Mattioli, Laura Tripaldi

News Editor:
Giulia Crispiani

Designers:
Elisa Chieruzzi, Lorenzo Curatola, Lola Giffard-Bouvier

Administration and Production:
Linda Lazzaro

Distribution:
Davide Francalanci

Vangelis Vlahos

lives and works in Athens, Greece. Since 2004, his work has been presented in major international biennials, including Manifesta 5, San Sebastián (2004); the 3rd Berlin Biennale (2004); the 27th São Paulo Biennial (2006); the 11th Istanbul Biennial (2009); the 3rd Athens Biennial (2011); and the 7th Thessaloniki Biennial (2019). He has also participated in exhibitions including Monument to Transformation, Prague City Gallery (2009); ISLANDS+GHETTOS, NGBK, Berlin (2009); To the Arts, Citizens!, Serralves Museum, Porto (2010); The End of Money, Witte de With, Rotterdam (2011); Gesture, Kunstverein Stuttgart (2014); Antidoron – the collection of the National Museum of Contemporary Art of Athens (as part of Documenta 14), Fridericianum, Kassel (2017); When the Present is History, Depo, Istanbul (2019); Statecraft (constructing the nation), National Museum of Contemporary Art, Athens (2022); and Machinations, Museo Reina Sofía, Madrid (2023).

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