NERO is an international publishing house devoted to art, criticism and contemporary culture. Founded in Rome in 2004, it publishes artists’ books, catalogs, editions and essays.

NERO explores present and future imaginaries beyond any field of specialization, format or code – as visual arts, music, philosophy, politics, aesthetics or fictional narrations – extensively investigating unconventional perspectives and provocative outlooks to decipher the essence of this ever changing reality.

Contacts:
NERO
Lungotevere degli Artigiani 8/b
00153 – Rome
Italy
+390697271252
[email protected]
[email protected]

Distribution:

BELGIUM, FRANCE, LUXEMBOURG, SWITZERLAND, CANADA – Les presses du réel
UNITED KINGDOM – Art Data
NETHERLANDS, GERMANY, AUSTRIA AND ALL OTHER COUNTRIES – Idea Books

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Heads of Content:
Valerio Mannucci, Lorenzo Micheli Gigotti

Creative Director:
Francesco de Figueiredo

Editor at large:
Luca Lo Pinto

Editors:
Michele Angiletta, Alessandra Castellazzi, Carlotta Colarieti, Clara Ciccioni, Carolina Feliziani, Tijana Mamula, Valerio Mattioli, Laura Tripaldi

News Editor:
Giulia Crispiani

Designers:
Elisa Chieruzzi, Lorenzo Curatola, Lola Giffard-Bouvier

Administration and Production:
Linda Lazzaro

Distribution:
Davide Francalanci

Silvia Fanti

is an italian curator, program director and coach in the field of live arts. Since 1992 she has founded and co-directed independent cultural organizations in Bologna devoted to transdisciplinary research, including Link Project (1994>2000) and Xing (2000>). Among the projects directed and curated with Xing that have marked specific multi-year investigation cycles: F.I.S.Co. Festival Internazionale sullo Spettacolo Contemporaneo (2000>2011), Netmage International Live Media Festival (2000>2011), Live Arts Week (2011>2021). Since 2003 she has co-curated a continuing program at Raum, Xing's space in Bologna. In 2021, reflecting on the post-pandemic perspectives of live arts, with Xing she lauched a vinyl-only record project, Xong collection, dedicated to personalities in the worlds of performativity, offering this sonic field as a platform to expand their staged worlds.

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