NERO is an international publishing house devoted to art, criticism and contemporary culture. Founded in Rome in 2004, it publishes artists’ books, catalogs, editions and essays.

NERO explores present and future imaginaries beyond any field of specialization, format or code – as visual arts, music, philosophy, politics, aesthetics or fictional narrations – extensively investigating unconventional perspectives and provocative outlooks to decipher the essence of this ever changing reality.

Contacts:
NERO
Lungotevere degli Artigiani 8/b
00153 – Rome
Italy
+390697271252
[email protected]
[email protected]

Distribution:

BELGIUM, FRANCE, LUXEMBOURG, SWITZERLAND, CANADA – Les presses du réel
UNITED KINGDOM – Art Data
NETHERLANDS, GERMANY, AUSTRIA AND ALL OTHER COUNTRIES – Idea Books

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Heads of Content:
Valerio Mannucci, Lorenzo Micheli Gigotti

Creative Director:
Francesco de Figueiredo

Editor at large:
Luca Lo Pinto

Editors:
Michele Angiletta, Alessandra Castellazzi, Carlotta Colarieti, Clara Ciccioni, Carolina Feliziani, Tijana Mamula, Valerio Mattioli, Laura Tripaldi

News Editor:
Giulia Crispiani

Designers:
Elisa Chieruzzi, Lorenzo Curatola, Lola Giffard-Bouvier

Administration and Production:
Linda Lazzaro

Distribution:
Davide Francalanci

Roberta Da Soller

is an activist, actress, performer, and researcher based in Venice. She is part of Sale Docks Collective which runs a space for art activism in Venice. She is a PhD candidate at the IUAV University of Venice. Her research focuses on feminist living seen through the lens of performance and queer studies. From 2013 up to to the present, she has been working as an actress in several movies. As a performer, she collaborated with the artist Dora García in 2011 and 2015 in the context of the Venice Biennale and recently in her solo exhibition at Mattatoio in Rome. From 2011 to 2017, she worked as a producer for the Live Works project at Centrale Fies Art Work Space whose results are collected in the publication Live Works. On the folds of real by the lens of performative (2019), curated by Roberta Da Soller and Simone Frangi. Part of her research on performance practices has been carried out in Brussels together with Peter Aers, Melissa Mebesoone, Oshin Albrecht, and Mauro Sommavilla.

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