NERO is an international publishing house devoted to art, criticism and contemporary culture. Founded in Rome in 2004, it publishes artists’ books, catalogs, editions and essays.

NERO explores present and future imaginaries beyond any field of specialization, format or code – as visual arts, music, philosophy, politics, aesthetics or fictional narrations – extensively investigating unconventional perspectives and provocative outlooks to decipher the essence of this ever changing reality.

NERO
Lungotevere degli Artigiani 8/b
00153 Rome
Italy
+390697271252
[email protected]

Distribution
ITALY – A.L.I. Agenzia Libraria International 
BELGIUM, FRANCE, LUXEMBOURG, SWITZERLAND, CANADA – Les presses du réel
UNITED KINGDOM – Art Data
USA – Idea Books and Printed Matter
NETHERLANDS, GERMANY, AUSTRIA AND ALL OTHER COUNTRIES – Idea Books

For other distribution inquiries, please contact [email protected]

Media Inquiries
To request review copies, press images, or for other media inquiries, please contact [email protected]

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Heads of Content:
Valerio Mannucci, Lorenzo Micheli Gigotti

Creative Director:
Francesco de Figueiredo

Editor at large:
Luca Lo Pinto

Editors:
Michele Angiletta, Alessandra Castellazzi, Carlotta Colarieti, Clara Ciccioni, Carolina Feliziani, Tijana Mamula, Valerio Mattioli, Laura Tripaldi

News Editor:
Giulia Crispiani

Designers:
Elisa Chieruzzi, Lorenzo Curatola, Lola Giffard-Bouvier

Administration and Production:
Linda Lazzaro

Distribution:
Davide Francalanci

Missing Ear

is the sonic identity of Matteo Gualeni, a Milan-based experimental drummer and sound designer whose work explores the shifting boundaries between sound, perception, and space. His practice revolves around the listener’s active presence—an immersive process in which sound is not only heard but inhabited, redefined, and transformed into a tool for new forms of awareness. A key turning point in his artistic path came with the onset of tinnitus, which deepened his sensitivity to sound and led him to approach listening as an active, perceptual practice. Combining visceral rhythm with timeless textures and sound design, Missing Ear draws inspiration from the fractured architectures of Autechre and Andrea Belfi and the spatial poetics of Lee Gamble. Often starting from acoustic drum recordings, he digitally processes these into layered structures where rhythm becomes one element within a broader spectrum of textures and dynamic shifts. His compositions often extend into audiovisual and performative contexts, bridging sonic experimentation with visual storytelling, where sonic experience meets visual narrative and performance.

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