NERO is an international publishing house devoted to art, criticism and contemporary culture. Founded in Rome in 2004, it publishes artists’ books, catalogs, editions and essays.

NERO explores present and future imaginaries beyond any field of specialization, format or code – as visual arts, music, philosophy, politics, aesthetics or fictional narrations – extensively investigating unconventional perspectives and provocative outlooks to decipher the essence of this ever changing reality.

NERO
Lungotevere degli Artigiani 8/b
00153 Rome
Italy
+390697271252
[email protected]

Distribution
ITALY – A.L.I. Agenzia Libraria International 
BELGIUM, FRANCE, LUXEMBOURG, SWITZERLAND, CANADA – Les presses du réel
UNITED KINGDOM – Art Data
USA – Idea Books and Printed Matter
NETHERLANDS, GERMANY, AUSTRIA AND ALL OTHER COUNTRIES – Idea Books

For other distribution inquiries, please contact [email protected]

Media Inquiries
To request review copies, press images, or for other media inquiries, please contact [email protected]

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Heads of Content:
Valerio Mannucci, Lorenzo Micheli Gigotti

Creative Director:
Francesco de Figueiredo

Editor at large:
Luca Lo Pinto

Editors:
Michele Angiletta, Alessandra Castellazzi, Carlotta Colarieti, Clara Ciccioni, Carolina Feliziani, Tijana Mamula, Valerio Mattioli, Laura Tripaldi

News Editor:
Giulia Crispiani

Designers:
Elisa Chieruzzi, Lorenzo Curatola, Lola Giffard-Bouvier

Administration and Production:
Linda Lazzaro

Distribution:
Davide Francalanci

Malpractice

is a Polish-Austrian-Italian artist collective composed of Chiara Kristler, Marcin Ratajczyk, and a shifting ensemble of AI counterparts. The group explores the aesthetics and affordances of beyond-human agency through projects that embed artificial intelligence into academic, artistic, and social infrastructures. Rather than using AI as a tool, Malpractice treats it as a collaborator in distributed creative processes where authorship becomes porous and plural. They build systems that observe, interact, and occasionally malfunction in public, testing the limits of synthetic subjectivity, interface performance, and shared autonomy. Malpractice tries to live up to their name. Selected Exhibitions: Post-Turbulence (Y3 Pavilion, Tanhualin Historic & Cultural District, Wuhan, 2026), The Second Guess: Body Anxiety in the Age of AI (House of Electronic Arts Basel, online), Virtually Yours (SCHLACHTER 151, Berlin), We Emotional Cyborgs (Digital Art Mile during Art Basel 2025, Basel), the performative lecture Agents as a Medium: Prompting Against the Default (Vienna Digital Cultures Festival, Vienna), and the artist talk Prompted Perspectives (HFBK Hamburg).

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