NERO is an international publishing house devoted to art, criticism and contemporary culture. Founded in Rome in 2004, it publishes artists’ books, catalogs, editions and essays.

NERO explores present and future imaginaries beyond any field of specialization, format or code – as visual arts, music, philosophy, politics, aesthetics or fictional narrations – extensively investigating unconventional perspectives and provocative outlooks to decipher the essence of this ever changing reality.

NERO
Lungotevere degli Artigiani 8/b
00153 Rome
Italy
+390697271252
[email protected]

Distribution
ITALY – A.L.I. Agenzia Libraria International 
BELGIUM, FRANCE, LUXEMBOURG, SWITZERLAND, CANADA – Les presses du réel
UNITED KINGDOM – Art Data
USA – Idea Books and Printed Matter
NETHERLANDS, GERMANY, AUSTRIA AND ALL OTHER COUNTRIES – Idea Books

For other distribution inquiries, please contact [email protected]

Media Inquiries
To request review copies, press images, or for other media inquiries, please contact [email protected]

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Heads of Content:
Valerio Mannucci, Lorenzo Micheli Gigotti

Creative Director:
Francesco de Figueiredo

Editor at large:
Luca Lo Pinto

Editors:
Michele Angiletta, Alessandra Castellazzi, Carlotta Colarieti, Clara Ciccioni, Carolina Feliziani, Tijana Mamula, Valerio Mattioli, Laura Tripaldi

News Editor:
Giulia Crispiani

Designers:
Elisa Chieruzzi, Lorenzo Curatola, Lola Giffard-Bouvier

Administration and Production:
Linda Lazzaro

Distribution:
Davide Francalanci

Lisa Andreani

is a curator and art historian.

From 2020 to 2022 she has been Curatorial and Editorial Coordinator at MACRO – Museum for Preventive Imagination, Rome. In 2019 she has been a fellow of Global Modernism Studies research program at the Bauhaus Dessau Foundation, in collaboration with the Victoria & Albert Museum, London. In 2019, she coordinated the production of Romanistan, a film by Luca Vitone, and co-founded REPLICA, a curatorial and research project investigating artists' books. She has collaborated with various institutions and publishers including Fondazione Arnaldo Pomodoro, Fondation Carmignac, Humboldt Books, and Mousse Magazine & Publishing. Since 2018 she works as archivist and researcher for Archivio Salvo as part of the Scientific Committee.

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