NERO is an international publishing house devoted to art, criticism and contemporary culture. Founded in Rome in 2004, it publishes artists’ books, catalogs, editions and essays.

NERO explores present and future imaginaries beyond any field of specialization, format or code – as visual arts, music, philosophy, politics, aesthetics or fictional narrations – extensively investigating unconventional perspectives and provocative outlooks to decipher the essence of this ever changing reality.

NERO
Lungotevere degli Artigiani 8/b
00153 Rome
Italy
+390697271252
[email protected]

Distribution
ITALY – A.L.I. Agenzia Libraria International 
BELGIUM, FRANCE, LUXEMBOURG, SWITZERLAND, CANADA – Les presses du réel
UNITED KINGDOM – Art Data
USA – Idea Books and Printed Matter
NETHERLANDS, GERMANY, AUSTRIA AND ALL OTHER COUNTRIES – Idea Books

For other distribution inquiries, please contact [email protected]

Media Inquiries
To request review copies, press images, or for other media inquiries, please contact [email protected]

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Heads of Content:
Valerio Mannucci, Lorenzo Micheli Gigotti

Creative Director:
Francesco de Figueiredo

Editor at large:
Luca Lo Pinto

Editors:
Michele Angiletta, Alessandra Castellazzi, Carlotta Colarieti, Clara Ciccioni, Carolina Feliziani, Tijana Mamula, Valerio Mattioli, Laura Tripaldi

News Editor:
Giulia Crispiani

Designers:
Elisa Chieruzzi, Lorenzo Curatola, Lola Giffard-Bouvier

Administration and Production:
Linda Lazzaro

Distribution:
Davide Francalanci

Emily Jacir

’s (b: Mediterranean; lives and works between Bethlehem and Rome) interdisciplinary practice spans film, photography, installation, performance, sound, and text. Her work explores both personal and collective movement through time and public space, examining its implications on the physical and social experience of trans-mediterranean geographies and temporalities. Through rigorous historical and archival research, Jacir’s layered and resonant body of work is rooted in gathering, community, and in social affiliations. For the last twenty years, she has been working in southern Italy, primarily in Salento but also in Basilicata and Sicily. Her most recent work, We Ate the Wind, features a large cinematic installation that combines new and archival material, addressing questions of visibility and invisibility, proximity and distance, hospitality and exclusion, exploring specific migration policies and their consequences on individuals and communities.

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