NERO is an international publishing house devoted to art, criticism and contemporary culture. Founded in Rome in 2004, it publishes artists’ books, catalogs, editions and essays.

NERO explores present and future imaginaries beyond any field of specialization, format or code – as visual arts, music, philosophy, politics, aesthetics or fictional narrations – extensively investigating unconventional perspectives and provocative outlooks to decipher the essence of this ever changing reality.

NERO
Lungotevere degli Artigiani 8/b
00153 Rome
Italy
+390697271252
[email protected]

Distribution
ITALY – A.L.I. Agenzia Libraria International 
BELGIUM, FRANCE, LUXEMBOURG, SWITZERLAND, CANADA – Les presses du réel
UNITED KINGDOM – Art Data
USA – Idea Books and Printed Matter
NETHERLANDS, GERMANY, AUSTRIA AND ALL OTHER COUNTRIES – Idea Books

For other distribution inquiries, please contact [email protected]

Media Inquiries
To request review copies, press images, or for other media inquiries, please contact [email protected]

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Heads of Content:
Valerio Mannucci, Lorenzo Micheli Gigotti

Creative Director:
Francesco de Figueiredo

Editor at large:
Luca Lo Pinto

Editors:
Michele Angiletta, Alessandra Castellazzi, Carlotta Colarieti, Clara Ciccioni, Carolina Feliziani, Tijana Mamula, Valerio Mattioli, Laura Tripaldi

News Editor:
Giulia Crispiani

Designers:
Elisa Chieruzzi, Lorenzo Curatola, Lola Giffard-Bouvier

Administration and Production:
Linda Lazzaro

Distribution:
Davide Francalanci

Adila Bennedjaï-Zou

is a screenwriter and documentary filmmaker, born in 1973 in Tizi-Ouzou (Algeria). Her first documentary, Ralliés, about the soldiers who betrayed the French army to join the Viet-Minh, received the Prize of the Pessac Historical Film Festival. Her films, inspired by the micro-history trend, deal with anonymous destinies that have made “the great history”. Also a fiction screenwriter, she was awarded the Prix Genève-Europe du jeune scénariste for the film Garçon Manqué. In her sound creations, she combines autobiography and a form of “auto-sociology” to tell how the present is invented. Her documentary series Mes années Boum, PMA hors la loi and Heureuse comme une arabe en France mix first-person narrative, archives and intimate interviews. She was awarded the URTI Radio Grand Prix.

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